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(Calder 1966, 39) Summer: Calder spends five weeks in the Plattsburg Civilian Military Training Camp, New York, drilling with Company H, Fifth Training Regiment.
(Calder 1966, 39; Hayes 1977, 55) September: Calder begins his studies at Stevens Institute of Technology, Hoboken, New Jersey, where he takes courses which include chemistry, mechanical drawing, shop practice, and surveying, among others.
Barr, Jr., Nancy Newhall, George Amberg, Iris Barry, Elizabeth Mock, Serge Chermayeff, Rene D'Harnoncourt, Monroe Wheeler, Elodie Courter, and Victor D'Amico. Sponsored by Peggy Guggenheim's Art of This Century, New York. Calder finds a job as a timekeeper for a logging camp in Independence, Washington. (Calder 1966, 55–56) Summer: Inspired by the logging camp landscape, Calder writes home and asks his mother for paints and brushes.Paper costumes for A Nightmare Side Show, one of thirteen group processions performed during Paper Ball: Le Cirque des Chiffonniers, First Hartford Festival, Wadsworth Atheneum, Hartford, Connecticut, 15 February 1936 Standing, left to right: André Masson, Kay Sage, and Calder; sitting, left to right: André Breton, Susanna Perkins Hare, Louisa Calder, Rose Masson, Diego Masson, Charlie Prescott, Mary Calder, and Teeny Matisse, Roxbury, 1941 Alexander Calder Scrapbook, 1924–26. (Calder 1966, 59) October–December: Calder begins classes at the Art Students League of New York, studying life and pictorial composition with John Sloan and portrait painting with George Luks.The unbound book includes seven folios and eight loose clippings, two newspapers, and one poster: black-and-white and color; 16 1/8" x 12 1/4". (Calder 1966, 59–61, 66–67; ASL, registration records) January–April: Calder enrolls again at the Art Students League, taking classes in portrait painting with George Luks, head and figure with Guy Pène du Bois, a drawing class with Boardman Robinson, and an etching class. Barcelona: Fundació Joan Miró–Centre d'Estudis d'Art Contemporani, 1975. Museum at Large and the Whitney Museum of American Art, New York. Directed and produced by Paul Falkenberg and Hans Namuth; narration by Louisa Calder, Tom Armstrong, and John Russell. Calder's parents move to a ranch in Oracle, Arizona, leaving Calder and his sister Peggy in the care of Dr. Calder befriends Riley, an elderly man recuperating at the ranch who shows him "how to make a wigwam out of burlap bags pinned together with nails." (Calder 1966, 16) Fall: The Calders move to Pasadena, California.
Portfolio of lithographs by Calder, Chillida, Guinovart, Miró, Ràfols-Casamada, Tàpies, Vedova, Viladecans. So I sent them another dollar and told them, “Look again.” They corroborated the first statement., in Philadelphia. (Calder 1966, 13) Spring: Stirling Calder contracts tuberculosis. (Calder 1966, 15; Hayes 1977, 18) End of March: Nanette picks up Calder and Peggy and they rejoin their father in Oracle. (Calder 1966, 28–29) December: For Christmas, Calder presents his parents with a dog and a duck that he trimmed from a brass sheet and bent into formation.